You can apply the Drive and chorus to two different Fx simultaneously. This is an important tool for enhancing certain effects or introducing new forms to your sounds. To cut through mono effects, set up the Drive compressor on side B and the chorus compressor on side A. (This will require some experimentation.) Of course, you can apply it as a parallel method, too.
This is a wonderful tool to add breadth and level to your parts. If you want to add some transparency, cut the trebles down with the Fuzz and clip the tails off with the Link. You can also saturate the plugin, distort the reverb, combine with the Flanger and Duo, and many different other possibilities. This filter is also useful on single-channel audio; just multiply the output channel by the Gain. It is a versatile tool for all audio types, and an excellent tool the next time you have to add length and width to your sounds.
This versatile tool gives you the best of both worlds. In Drive mode, the plugin will reduce the volume and gain. Fuzz mode gives you a similar effect. If you want to give the impression of a vintage preamp, just turn the Fuzz and Drive knobs fully up. Likewise, the Link parameter scales the fuzz level. The Trap knob increases the level of distortion, and the Delay knob can be set at many different lengths. You can also use the stereo Mix knob to combine the best parts from both sides of the master console.
The BPM Sync mode dial adjusts the speed. Turn it up to make the compressor react more quickly in sync with the bpm. You can also play with the Drive, Link, and Solo knobs. As you increase the Link parameter, the compressor becomes a more powerful and sharpening tool that will help you get the boost you need to punch through mono effects and other distortions.
Experimental ReBass is a further development of ReBass. It offers the same functionality of ReBass, but with new sound-splicing possibilities, a maximizierung slider and inspiring arpeggiation abilities. d2c66b5586